'Paranormal Activity 2': On the scene at the first ever U.S. screening
It was about 15 months that my colleague Missy Schwartz and I were invited, along with a handful of other writers, to see a screening of a new horror film, about which we knew absolutely nothing. After the first 20 minutes of footage I was half-convinced that the folks at Paramount, the company which was allegedly distributing the movie, had asked us along to watch the amazingly amateurish first attempts at filmmaking by the overly indulged offspring of a studio exec. By the time it was finished, I was entirely convinced that this obviously cheap, but utterly terrifying tale of a haunted suburban house could become an enormous hit.
The rest is scare-story. Paranormal Activity was first a sleeper success and then a bona fide box office phenomenon. A sequel was inevitable. And late yesterday evening Missy and myself reconvened to see the first ever U.S. screening of Paranormal Activity 2, at the AMC multiplex on Manhattan’s 34th street, one of a handful of venues around the country where the movie was shown for free to diehard fans 24 hours ahead of its official opening. The screening was introduced by the film’s director Tod Williams (The Door in the Floor) who, when chatting to EW beforehand, seemed bullish about the chances that his film would scare the hell out of the gathered, rowdy throng. “Normally in life you don’t want to promise big,” he said. “But I think in this case it’s okay.”
The rest is scare-story. Paranormal Activity was first a sleeper success and then a bona fide box office phenomenon. A sequel was inevitable. And late yesterday evening Missy and myself reconvened to see the first ever U.S. screening of Paranormal Activity 2, at the AMC multiplex on Manhattan’s 34th street, one of a handful of venues around the country where the movie was shown for free to diehard fans 24 hours ahead of its official opening. The screening was introduced by the film’s director Tod Williams (The Door in the Floor) who, when chatting to EW beforehand, seemed bullish about the chances that his film would scare the hell out of the gathered, rowdy throng. “Normally in life you don’t want to promise big,” he said. “But I think in this case it’s okay.”